Download Visual LightBox. Visual LightBox is free for non-commercial use. If you want to use Visual LightBox on a school site, your non-commercial blog or non-profit. Joe Biden: 'I am going to run in 2020' Read Full Article; New York Times public editor: Some tweets from our politics reporters '. Best free iPhone games Target Cartwheel, a whole new spin on coupons. Find & share the best deals in all your favorite categories: grocery, baby, apparel, health & beauty & more.
Phone games ? I'm sick of freemium games that spend the whole time trying to get you to buy in- app purchases. Looking for the best free i. Phone games? You've come to the right place. In this article we've rounded up the 7.
Phone games for your delectation, from fighting and sports games to puzzles and RPGs. When considering free i. Phone games, you should watch out for annoying in- app payments and adverts, and various other irritations.
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Nevertheless, there are some excellent free i. Phone games out there that earn their money fair and square: with comparatively unobtrusive adverts, or genuinely optional in- app payments that simply expand on the existing gameplay. One last thing: one of the biggest free i. Phone games of the year has been announced, in the shape of Super Mario Run. Clearly we'll have to play it to decide whether it qualifies for this roundup, but in the meantime, you read all about the game here: Super Mario Run for i. Phone UK release date & price and Super Mario Run preview.
Best free i. Phone games: The 1. Phone games of all time. Every one of the brilliant free i. Phone games in this roundup is well worth a play. But if you are pressed for time you may only want to read about the very best of the best.
Here, complete with links to the App Store, you will find our 1. Phone games of all. But now on with the main list.
Here are the best free i. Phone games, listed in alphabetical order. Read next: Best i.
Pad & i. Phone games . These are then duly dragged to the ten- by- ten canvas. When all three shapes have been used, you get three more. Complete a solid line horizontally or vertically, and it vanishes.
All the while, you're scoring points and probably feeling a bit smug. But while 1. 01. 0! At any point, you can be left with a tricky combination of blocks that makes removing lines tough. Manage your canvas poorly and you'll soon be lumbered with a shape that's impossible to place. At that point, it's game over.
Content continues below. Ultimately, there's little in the way of innovation here, but 1. They felt like a slice of the future, rather than awkwardly trying to give you some kind of on- screen joystick. AGRAV pleasingly takes the former approach, having you direct a tiny spaceship about the place by using your fingers to fashion black holes. It's a beautifully simple system, but in practice AGRAV can be frustrating, purely because it's so different. Initial tries will almost certainly find your craft smashed to pieces on hitting the edge of the screen, or zooming past the goal, in a manner that sets teeth gnashing.
But once it clicks, AGRAV becomes a compelling game. Soon, you'll be carving out elegant arcs by touching the screen at precisely the right moment; a second black hole in front of the ship will urge it on, to beat time limits. Eventually, you'll be deftly avoiding obstacles, grabbing pick- ups, and learning the benefits of multitouch on the more complex stages. For free, you get 3. IAP unlocks another 6. Yes, but this one stars bears!
Even better, it's really, really good, and dead easy to get into. You start out with a board with some letters on. Tap out a word and the space the letters took up is immediately replaced by bears, which are instantly surrounded by more letters. Added complications arrive in the form of countdown timers. Letters start out as green, and then if unused over subsequent goes turn yellow, orange and then red. Ignore red letters at your peril, because they transform into rocks, blocking bears from expanding. You might wonder about the use of 'expanding' and 'bears' in that previous sentence, but we haven't erred - the bears in Alphabear really do stretch to fill available space.
So you'll get tall and thin bears, weirdly wide and squat bears, and there's the holy grail of the 'filling the entire screen' bear if you clear all of the letters. At the end of a round, such giant beasts result in huge scores and immense satisfaction. There are some minor drawbacks to the bear- oriented antics. The game requires a constant internet connection for online sync, and there are in- game currencies - one essentially for 'energy' to enter new rounds and the other to skip ahead by more rapidly accessing treasure events.
It's there you discover especially rare bears with special powers that seriously boost your score in various ways when selected before a new round; but this mechanic serves more to over- complicate the game than improve it. Still, for free, you can play a couple of really fun rounds per day, and there's always an 'infinite honey' IAP (. In fact, given how nitro- happy the game is, reality's likely been burned to a crisp and gleefully blasted into the wind, dispersed ashen fodder for sports cars that zoom past, mostly on the ground but often spinning, whirling and leaping through the air. This game is the antithesis to the staid grind of Real Racing 3. It's joyful, colourful, smashy fun that doesn't take itself seriously and is all the better for it.
Branched courses weave through hyper- real cities, occasionally coming to life by way of a shuttle launch or deadly avalanche. All the while, you're aiming to reach the chequered flag, ramming competition aside, and driving like an idiot. Given that this is a Gameloft title, it of course has an IAP- sized bubble dome welded to its dayglo Bugatti Veyron, and some events are cynically locked by requiring specific (frequently expensive) cars. But there's plenty of absurdly fun racing larks to be had for nowt, and in a good racing game you'll want to replay tracks time and again anyway. And one thing's for sure: this is definitely a very good racing game. First, there was Golf is Hard, a side- on ball- thwacker that required you to hit a hole- in- one every time, because it's clearly wrong and evil to walk on the grass. Then came Wrassling, a demented wrestling (of sorts) game that looked like it had fallen out of a Commodore 6.
Now, Lane's returned to hitting tiny balls with sticks in Battle Golf. Again, this one's all about holes- in- one, but putting greens now emerge from a huge expanse of water. You must therefore tap twice (to set angle and then power) and hope for the best. Hazards include hole- blocking seagulls and occasionally having to carefully aim for the top of a giant octopus.
Although perfectly fine in its single- player time- attack incarnation, Battle Golf really comes into its own when the 'battle' bit is added via the same- device two- player mode. Players face off at opposite edges of the water, and frantically race to five points.
As a bonus, you can cheekily temporarily knock out your rival by smacking them in the head with a ball, giving you a few precious seconds to win a point without them interfering. There's only one IAP - . Only flinging your (ex) friend's i. Phone out of the window when they get a last- gasp fluky shot to win 5- 4 can do that. It's astonishingly addictive. You have to swap coloured jewels within a grid, using simple finger swipes, so that three or more line up; the matched jewels will disappear and more will replace them. The tense gameplay, drip- feed of rewards and social- media integration combine to make a game that will expand to fill any time period available.
FREE . We'd always assumed it'd mostly be rocks. It turns out that underneath a lighthouse - or at least this particular one - you find almost certain death, in the form of spinning rooms that have spikes all over the place. If you're a rotund boy trying to find his lost Grandpa and get the lighthouse's light shining again, that's a problem. What you get here, then, is an action puzzler, where through a combination of deft finger- work and a bit of brainpower you make your way safely into the depths of the lighthouse. The clever bit is the controls. You drag the on- screen wheel to shift the circular rooms, and gravity gets your little chap rolling (or, as is often the case, hurtling) about. The other clever bit is the level design, which starts off very slightly challenging, and becomes increasingly murderous as the game goes on.
For free, you get access to everything, but there's a lives system in play. Get killed three times during any level, and an extra set for that attempt only becomes available on watching an ad. That seems eminently fair, although those lives soon vanish - especially if you want to speedrun through the game like a maniac, in order to win yourself shiny rewards. In this case, the open road that stretches on forever, with nary a bend in sight. Still, it's rather a busy road, with countless vehicles you must deftly avoid, because a single collision spells the end of your go. To drive the message home, even the slightest prang finds your truck hurled into the air, returning to the ground as a heap of twisted and blackened pixels.
Dramatic! There's not much originality here and the chunky visual style is overly familiar, but Blocky Highway is nonetheless compelling. You get a choice of touch or tilt controls, with the latter being a bit slippy and unwieldy, yet this oddly makes for a more exciting game. It's quite something for your chunky vehicle to zig- zag along a busy freeway, avoiding collisions by a hair's breadth. Over time, the game adds to the challenge through various means. Roadwork occasionally and abruptly blocks your way, and train tracks cross your path; in the latter case, the game offers a novel means to avoid speeding locomotives: huge pads that bounce you into the air. Other helpers infrequently appear, too - there's a helicopter that for a short while lifts you above the busy road, and a truck you can drive on top of that gleefully bulldozes traffic out of your way.
And when your game finally comes to its smashy end, you get a chance to grab a few extra points by landing your bouncing wreck on other cars presumably driven by significantly more careful road users. The world is occupied by hostile invaders, intent on hunting you down. Worse, you just zoomed away in a spaceship clearly designed by an idiot.
It never runs out of fuel, but has the steering capabilities of a cow on an ice rink. And although it boasts a boost function - handy for keeping ahead of, say, ferocious aliens with massive laser cannons - it's charged by perilously having your badly steering craft 'graze' flat surfaces. What this makes for, though, is an exhilarating videogame. You blast through gorgeous 3. D environments, avoiding obstacles in the desolate landscape, carefully timing boosts whenever your alien pursuer ventures a bit too near. Phantoms of your best and previous runs are displayed, so you can potentially execute a brilliant manoeuvre a second time round while simultaneously avoiding that less- brilliant move where you slammed into a massive wall.
We'd prefer Breakneck if the craft was more manoeuvrable - there's no deft weaving and zig- zagging here. Instead, you drift in a manner akin to the developer's own endless horror runner, Into the Dead. Still, that adds strategy - the environment resets every day, and your craft's inadequacies force you to find shortcuts and quickly learn the best routes. And when you're approaching the end of a zone, boost tank empty, and your siren starts blaring about an imminent alien attack, this is one of the most exciting 3. D avoid 'em ups around.
Therefore, you get unobtrusive ads on static screens, and are otherwise left to your own devices. And the game is excellent. The backstory involves Cally's parents being kidnapped for a third time by an evil scientist. She therefore resolves to rescue them, primarily by leaping about the place and blowing away all manner of adversaries using the kind of high- powered weaponry not usually associated with a young girl with pig- tails.
Level layouts are varied, and weapon power- ups are cleverly designed, based around how much you use each item. The one niggle is the map, which is checkpoint- based - it's a bit too easy to find yourself replaying a trio of levels again and again to get to a place further along in your journey where you can restart. Still, that merely forces you to take a little more care, rather than blundering about the place, and to breathe in the delicately designed pixellated landscapes. And should you decide you want to throw money at the developers, there are optional IAPs that unlock new game modes, or a load of coins if you want to splurge in the in- game store without working for your money. There are echoes here of Letterpress (mentioned further down in this alphabetically ordered feature), in the sense that Capitals combines Risk- style land- grabbing with the need to create words from a jumble of letters. However, while Letterpress for the most part benefits players able to fashion lengthy words, Capitals is more about where the letters you choose to use are located. The game plays out on a hexagonal grid, either with two players using the same device or battling it out online thanks to a Game Center match- up.
All letters on the board can be used to create a word, but only those attached to your territory flip to your colour on submitting a move. The important thing is to keep your capital surrounded by territory rather than letters. If you don't and your rival's move includes letters adjacent to your capital, it's captured. They then get a free turn, and since the objective of the game is total and utter annihilation, that extra move is often enough to gift victory. For no money at all, Capitals is one of the best games around for word- game nuts, although we'll admit to being a smidgeon miffed about the ad model; in miserly fashion, it only gives up a solitary game for every advert watched. Still, since a game can often play out as a days- long tug o' war, the ads are hardly a huge drain on your time for what you get in return.
With you essentially leaping into concentric circles patrolled by monsters, its dizzying and disorienting nature was strangely compelling and captivating. Circle Affinity is essentially a zero- outlay take on the original, offering an endless mode for free, and enabling you to get rid of the adverts for .
The aim is always to enter the pie- slice section of the current circle and then leap into the smaller orb bobbing about within. But that's easier said than done when battling your brain's ability to track a little chap running here and there, flipping between the outside and inside of a disc, while also keeping an eye on various beasties roaming and flitting about. Additionally, hang about too long and gigantic tooth- like spikes encroach from the screen edges, to the sound effect of some kind of malevolent alien predator growling that it's planning to chew your legs off. That's certainly an encouragement to get moving!
Based on Pong, you directed a bat left and right to smash a ball back at a wall of bricks. Although conceived by Nolan Bushnell and Steve Bristow, the game was infused into the history of Apple through being built by Steve Wozniak (under the 'guidance' of Steve Jobs, who stiffed Woz on a lucrative bonus payment). Breakout then informed much of the design of the Apple II, because Woz wanted a colourful and noisy version running on the computer to show off to his pals. There are countless Breakout iterations on modern Apple hardware, but Circle Breakout provides a new spin on things by having your bat hug a circular danger zone. And rather than you having direct control, you tap the screen to switch the direction of its automatic movement. With the bat's speed remaining constant, you're frequently in a risk/reward scenario: do you go for bonuses (bombs; multiballs; bullets) or play it safe, knowing you'll make the next shot? The end result is an oddly tense take on a classic, not least because you know you're done for sooner or later.
There's no respite - ever.) Craig Grannell. FREE . After all, it feeds off of a kind of collector mentality, and is stuffed full of IAP, which tops out at a mammoth $9. But look past this and you'll find one of the most infuriatingly compulsive multiplayer titles around.
The basic set- up has you battling other players online, on tiny single- screen arenas. Each player has a King tower and two smaller flanking buildings.
Units are placed on the battlefield by selecting cards from your deck (four being available at any one time) and each costs some 'elixir' (which slowly refills). Duels are all about figuring out how to best your opponent by countering their attacks and unleashing surprises of your own. This could all have gone so wrong, but Clash Royale is a surprisingly fair game. Sure, if you want the best units and access to the top arena immediately, you're going to have to pay a small fortune.
But if you're happy scrapping away in the lower leagues, you can play and slowly build a better deck without spending a penny. And even the timer system to unlock chests won in combat doesn't prove irksome, given that without it, you'd probably end up playing Clash Royale around the clock. Linger and a wobbling and full column of letters explodes all over the screen, just to drive the message home of how rubbish you are. Conversely, a monocle- wearing penguin affirms his appreciation for any and all fish- based words by leaning into the screen and glaring at you. So this isn't exactly Scrabble, then, but it's all the better for it. Coolson's Pocket Pack eschews much planning and pondering, instead fostering an obsession with speed, not least when you clock the chaining mechanic.
Avoid swapping letters in the well or returning any from the slots and you quickly rack up huge points. This turns Pocket Pack from what was already a challenging affair into a word game of quick thinking and steely reserve, holding your nerve waiting for the right letter to appear, while several towers threaten major chocolate spillage. We've only just got started! Turn to the next page to read more recommendations of brilliant free i.